Cookies

We use essential cookies to make our site work. We'd also like to set analytics cookies that help us make improvements by measuring how you use the site. These will be set only if you accept.

For more detailed information about the cookies we use, see our cookies page.

Essential Cookies

Essential cookies enable core functionality such as security, network management, and accessibility. For example, the selections you make here about which cookies to accept are stored in a cookie.

You may disable these by changing your browser settings, but this may affect how the website functions.

Analytics Cookies

We'd like to set Google Analytics cookies to help us improve our website by collecting and reporting information on how you use it. The cookies collect information in a way that does not directly identify you.

Third Party Cookies

Third party cookies are ones planted by other websites while using this site. This may occur (for example) where a Twitter or Facebook feed is embedded with a page. Selecting to turn these off will hide such content.

Skip to main content

Morris & other Ritual Dancing 18th Sept.

Press Officer Rick Purnell writes ….

It is not often Teignmouth Mens Probus Club are enthralled with a speaker who can sing, play music, dance and educate all at the same. Our speaker this month was Steve Gill who entertained us with stories and demonstrations all about Morris Men, Molly’s, Sword dancing and all things about origins and customs of ritual dancing around England. This usually ‘community’ dancing, is in sets of 5-6 or 8 in a team accompanied by music provided by a solo singer or players of simple ‘to hand’ instruments. The rhythm range from Jig, Double Jig, Polka and more ‘bouncy’ ‘folky’ music.

The origins of country folk customs are lost in time as most practices began before the populace could read or write but the custom of country dancing and its music was similar but peculiar to each town or community much like the variation of its dialect, a very regional variation. Steve dressed in proper attire and with pipe (tin whistle or recorder), drum, melodeum (squeeze box) and song demonstrated the various practices in both music and dance peculiar to distinct regions of England.

Much has been recorded for posterity by Cecil Sharp of Oxfordshire since 1899 when he saw from his bedroom window some Morris Men practicing in the nearby Headington Quarry that raised his curiosity.

The genre’s, styles and variation of dress (such as bells, tassels, sticks, blacking etc) were played and danced included ‘The Cotswold’, ‘Shropshire, Hereford and Worcester’ with black faces and the ‘Molly’s’ painted decorative faces. The trained eye & ear can identify the particular village that a ‘Morris Man’ came from. The talk included other folk dances and music such as Sword Dancing from Newcastle, Clog dancing from Lancashire and Cheshire and its social history - all of interest.

Question time included ‘Wassailing’ mainly from Dorset, Somerset & Devon and ‘the Green Man’. The common theme of purpose of it all ‘was to drive away evil spirits’.

The vote of thanks was given by member Chris Inch for a most interesting and entertaining presentation.

L-R - Chairman Dave Kirk, Speaker Steve Gill and Speaker Finder Chris Inch L-R - Chairman Dave Kirk, Speaker Steve Gill and Speaker Finder Chris Inch